Opera boxes

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Opera on CD; The Best of Opera; Classical Music CD Box Set; Music Boxed Sets; DVDs Operas; Box Set CD; Opera Recordings; Opera 2025; Box CD Sets; Opera Book; Opera Greatest Hits Opera box synonyms, Opera box pronunciation, Opera box translation, English dictionary definition of Opera box. a partially inclosed portion of the auditorium of an opera house for the use of a small private party.

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Founding the Metropolitan OperaSourceAn Age of Opulence. The story of the Metropolitan Opera House in New York City unfolds amid privilege and desire. During the late nineteenth century a coterie of moneyed families, their fortunes swelled by post-Civil War speculation, set new standards for conspicuous consumption. Yet despite their cash and their flash, the nouveaux riches of New York remained excluded from the inner circles of the old Knickerbocker gentry. In the 1870s and early 1880s New York boasted an adequate opera house: the Academy of Music, founded in 1849 and located downtown on Fourteenth Street. Edith Wharton (1862-1937), novelist of New York manners, opened her Age of Innocence (1920) at the academy: “the world of fashion was still content to reassemble every winter in the shabby red and gold boxes of the sociable old Academy. Conservatives cherished it for being small and inconvenient, and thus keeping out the ‘new people’ whom New York was beginning to dread and yet be drawn to.” The old families controlled the “sociable old Academy”; the “new people” angled for acceptance. One evening in 1880 the balance of social power shifted. German soprano Lilli Lehmann (1848-1929) recalled the fateful moment in her memoir, My Path Through Life (1914): “As one evening [at the Academy] one of the millionairesses did not receive the box in which she intended to shine because another woman had anticipated her, the husband of the former took prompt action and caused the Metropolitan Opera House to rise.”Under Construction. The snubbing of the “millionairess”—a Vanderbilt, as fate would have it—inflamed the “new money” set. These “upstarts” pooled their resources and designated a site for a new opera house on Broadway between Thirty-ninth and Fortieth Streets. Construction began in 1881 and proceeded slightly behind schedule. By spring 1883 the building was finished, and the choicest boxes were apportioned among the shareholders. On 22 October the Metropolitan staged its first opera: Charles Gounod’s Faust (1859), featuring the soprano Christine Nilsson in the role of Margherita.Rank and Ruckus. Architect Josiah Cleveland Cady (1837-1919) had designed several other New York landmarks, among them the Museum of Naturai History. The Met, however, was Cady’s only theater, and connoisseurs complained about poor acoustics and a small backstage area. More problematic than the architectural design, however, was the behavior of society patrons. For many people, the ritual of operagoing had next to nothing to do with music. With three full tiers of private boxes, the Met more than doubled the luxury capacity of the old Academy. All told, boxes accounted for nearly 25 percent of the three-thousand-odd seats at the Met. For many who owned or rented “box” seats, a night at the opera meant a chance to display one’s wardrobe and chat with one’s friends. Upper-class patrons ignored a notice posted in January 1891 by the Met’s board of directors: “Many complaints having been made to the directors of the Opera House of the annoyance produced by the talking in the boxes during the performance, the Board

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Opera box - definition of Opera box by The Free Dictionary

€12 Tickets for this event are available starting May 1, 2018 at www.ticketservices.gr and at the Apollo Theater - +30 22810 85192 Wednesday, July 25, 2018 — Apollo Theater, 8:30pm Greek Opera Studio "Gala" Featuring Greek Opera Studio Participants in opera duets and scenes MARIOS KAZAS, Pianist (Greece) SPYROS SOULADAKIS, Pianist (Greece) DETLEF SÖLTER, KRISTINA FRANZ, EILANA LAPPALAINEN, Stage Directors EILANA LAPPALAINEN, General & Artistic Director of Greek Opera Studio Grand Tier, lower and upper boxes: €18 Lower and upper balconies: €12 Tickets for this event are available starting May 1, 2018 at www.ticketservices.gr and at the Apollo Theater - +30 22810 85192 Thursday, July 26, 2018 — Apollo Theater, 8:30pm The Stratos Vougas Jazz Quintet "Pure Jazz from Athens" STRATOS VOUGAS - Saxophone DIMITRIS PAPADOPOULOS - Trumpet GIOTIS SAMARAS - Guitar KOSTAS KONSTANTINOU - Bass JOHN PAPADOULIS – Drums Grand Tier, lower and upper boxes: €24 Lower and upper balconies: €16 Tickets for this event are available starting May 1, 2018 at www.ticketservices.gr and at the Apollo Theater - +30 22810 85192 Friday, July 27, 2018 — Apollo Theater, 8:30pm Theodorakis ELECTRA (Dance Performance) (World Premiere) RENATO ZANELLA, Choreographer (Italy) ASTERIS KUTULAS, Co-Director Cast: ELECTRA – Sofia Pintzou, (Greece) CLYTEMNESTRA – Alexandra Gravilescu, (Romania) CHRYSOTHEMIS – Tamara Alves Dornelas Souza, (Brazil) ORESTES – Eltion Merja, (Albania) AIGISTHOS – Valentin Stoica, (Romania) PYLADES – Florient Cador, (France) In cooperation with Europaballett Grand Tier, lower and upper boxes: €30 Lower and upper balconies: €20 Tickets for this event are available starting May 1, 2018 at www.ticketservices.gr and at the Apollo Theater - +30 22810 85192 Saturday, July 28, 2018 — Apollo Theater, 8:30pm Theodorakis ELECTRA (Dance Performance) RENATO ZANELLA, Choreographer (Italy) ASTERIS KUTULAS, Co-Director Cast: ELECTRA – Sofia Pintzou, (Greece) CLYTEMNESTRA – Alexandra Gravilescu, (Romania) CHRYSOTHEMIS – Tamara Alves Dornelas Souza, (Brazil) ORESTES – Eltion Merja, (Albania) AIGISTHOS – Valentin Stoica, (Romania) PYLADES – Florient Cador, (France) In cooperation with Europaballett Grand Tier, lower and upper boxes: €30 Lower and upper balconies: €20 Tickets for this event are available starting May 1, 2018 at www.ticketservices.gr and at the Apollo Theater - +30 22810 85192 Sunday, July 29, 2018 — Apollo Theater, 8:30pm Theodorakis ELECTRA (Dance Performance) RENATO ZANELLA, Choreographer (Italy) ASTERIS KUTULAS, Co-Director Cast: ELECTRA – Sofia Pintzou, (Greece) CLYTEMNESTRA – Alexandra Gravilescu, (Romania) CHRYSOTHEMIS – Tamara Alves Dornelas Souza, (Brazil) ORESTES – Eltion Merja, (Albania) AIGISTHOS – Valentin Stoica, (Romania) PYLADES – Florient Cador, (France) In cooperation with Europaballett Grand Tier, lower and upper boxes: €30 Lower and upper balconies: €20 Tickets for this event are available starting May 1, 2018 at www.ticketservices.gr and at the Apollo Theater - +30 22810 85192 Monday, July 23, 2018 — Apollo Theater, 8:30pm Pan-European Philharmonia (Warsaw) Athens Concert Hall (Megaron Musikis) Athens, Greece “Great Opera Moments from Great Operas” Music by Wagner, Mozart, Giordano, Beethoven, Puccini, Verdi, Mascagni World-class soloists and choruses from the USA and France Choirs from Greece, France and US. PETER TIBORIS, Conductor DAVID R. THYE, Chorus Master Arias, Duets,

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Requests that it be discontinued.” A few people, of course, attended the Met to listen to opera. One middle-classmusic lover complained that the incessant chatter from the private boxes drowned out his favorite arias. A response in the New York press dismissed the complaint and confirmed the social order: “It is very certain that these magnificent music-dramas are only made possible for him by the more ornate portion of the community.”Experimentation. A parade of respected performers — including Lehmann, Marcella Sembrich, Italo Campanini, Adelina Patti, Etelka Gerster, Albert Niemann, Lillian Norton-Gower, Marianne Brandt, Max Alvary, and Julius Perotti—graced the Met stage during its first decade. Backstage, however, chaos reigned. Under the direction of the theatrical entrepreneur Henry E. Abbey (1846-1896), the Met lost some $600,000 during the 1883-1884 season. Under Abbey’s replacement, Leopold Damrosch (1832-1885), the company performed only German opera. Critics raved but audiences dozed. Finley Peter Dunne (1867-1936), a leading humorist of the era, satirized the reputation of Germanic opera:“That’s Wagner,” she says. “Tis th’ music iv the future,” she says. “Yes,” says Donahue, “but I don’t want me hell on earth. I can wait f’ r it.”After Damrosch died in 1885, his son Walter (1862-1950) succeeded him and continued to stage German opera through the fall of 1891. At this juncture, however, Damrosch’s contract expired, and the Met reverted to more crowd-friendly Italian and French fare. (The first Met performance of an American opera, Frederick Shepherd Converse’s The Pipe of Desire, occurred in 1910.) By the turn of the century the Met had finally achieved a level of stability in its finances and artistic philosophy, but before it became a repository of “high culture,” it had traversed some exceptionally low terrain.SourceIrving Kolodin, The Story of the Metropolitan Opera Company, 1883-1950: A Candid History (New York: Knopf, 1953).. Opera on CD; The Best of Opera; Classical Music CD Box Set; Music Boxed Sets; DVDs Operas; Box Set CD; Opera Recordings; Opera 2025; Box CD Sets; Opera Book; Opera Greatest Hits

Opera Box Score Podcast Archives - Opera Box Score

Template:Infobox SoftwareOpera is a web browser and Internet suite developed by the Opera Software company. Opera handles common Internet-related tasks such as displaying web sites, sending and receiving e-mail messages, managing contacts, IRC online chatting, downloading files via BitTorrent, and reading web feeds. Opera is offered free of charge for personal computers and mobile phones, but for other devices it must be paid for.Features of Opera include high performance, tabbed browsing, page zooming, mouse gestures, and an integrated download manager. Its security features include built-in phishing and malware protection, strong encryption when browsing secure web sites, and the ability to easily delete private data such as cookies and browsing history by simply clicking a button.Opera runs on a variety of personal computer operating systems, including Microsoft Windows, Mac OS X, Linux, FreeBSD, and Solaris.[1] But even though evaluations of Opera have been largely positive, Opera has captured only a fraction of the worldwide personal computer browser market. It is currently the fourth most widely used web browser for personal computers, behind Internet Explorer, Firefox, and Safari.Opera has a stronger market share, however, on mobile devices such as mobile phones, smartphones, and personal digital assistants. Editions of Opera are available for devices using the Symbian and Windows Mobile operating systems, as well as Java ME-enabled devices. In fact, approximately 40 million mobile phones have shipped with Opera pre-installed. Furthermore, Opera is the only web browser available for the Nintendo DS and Wii gaming systems. Some television set-top boxes use Opera as

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The Acid2 test.[74]Market adoption[]Statistics reference: Usage share of web browsersAs of February 2008, usage data gives Opera's overall global share of the browser market as being about 1%[76] although Opera's usage share is about 16-19% in Russia[77][78][79][80] and Ukraine,[81] and 5–6% in Poland, Latvia, Lithuania, and the Czech Republic.[82]Since its first release in 1996, the browser has had limited success on personal computers. It is currently the fourth most widely used web browser for personal computers, behind Internet Explorer, Firefox, and Safari. Opera has had more success in the area of mobile browsing, with product releases for a variety of platforms.[83] Approximately 40 million mobile phones have shipped with a copy of Opera pre-installed.[84]In addition to mobile phones, smartphones, and personal digital assistants, Opera has found a place with Nintendo's Wii and DS gaming systems. It is used on some television set-top boxes as well.[85] And in 2005, Adobe opted to integrate Opera's layout engine, Presto, into its Adobe Creative Suite applications. Opera technology is now found in Adobe GoLive, Adobe Photoshop, Adobe Dreamweaver, and other components of the Adobe Creative Suite.[86][87]Critical reception[]Template:SeealsoCritical reception of Opera has been largely positive,[88][89][90] although it has been criticized for website compatibility issues,[91][92] partly because many web sites do not adhere to web standards as diligently as Opera.[93][94][95] Because of this issue, Opera has since version 8.01 included workarounds to help certain popular but problematic web sites display properly.[96][97]Notwithstanding other criticism, when Nintendo chose in 2006 to adopt Opera as the web browser for

Selection Box 2025 - Opera in a Box

1600: Jacopo Peri’s opera Euridice, the earliest complete opera to survive, is performedOpera originated in Italy around 1600, but its story began many years earlier with the birth of Jacopo Peri in 1561. During his time at the famed Medici court, Peri cultivated the idea of dramatic singing through his work with Florentine poets, musicians, and writers. Although these artists sought to recreate the simplicity and grandeur of ancient Greek drama through their work, they actually ended up creating an entirely new genre altogether: opera.The birth of opera is typically associated with the 1600 premiere of Peri’s Euridice, the earliest complete opera to survive. However, Euridice is not actually the first opera ever written. That honor goes to Peri’s 1598 work Dafne, which was sadly lost to time. But both paved the way for operas still performed today, including Claudio Monteverdi's 1607 L'Orfeo, considered the first masterpiece of the genre. 1637: Teatro San Cassiano, the first public opera house, opens in Venice, ItalyThe first public opera house, Teatro San Cassiano, was inaugurated in Venice on May 6, 1637. Before the theater opened, operas were a spectacle only available to the aristocracy and the courts. But with the opening of Teatro San Cassiano, operas became available to anyone who could pay. This established the commercial practice of individual ticket sales and allowed opera to reach public audiences for the first time.Of course, the audiences of the early 1600s were much smaller than they are today. Teatro San Cassiano contained 153 theater boxes spanning five tiers, which could seat approximately 400 people. By comparison, a modern opera house like the San Francisco Opera’s War Memorial Opera House can seat 3,006 viewers with 200 additional standing room spots!1689: Henry Purcell’s Dido and Aeneas, the first major English opera, is performedWhile opera may have been born in Florence, Italy is far from the only country that influenced its history. With Dido and Aeneas, England began to stake a major claim in the opera scene. Purcell’s work is an English Baroque opera based on Virgil’s telling of the legendary romance between Dido, the queen of Carthage, and Aeneas, a prince from Troy. Yet, despite its classical pedigree, Dido and Aeneas is thought to have premiered at an unlikely venue: Josias Priest’s Boarding School for Girls in Chelsea, London.Through his work, Purcell helped pave the way for other icons of English opera, like German-born George Frideric Handel, who settled in London in 1712 and whose music owes a great debt to Purcell’s. 1762: Christoph Willibald Gluck’s reform opera Orpheus and Eurydice (Orfeo ed Euridice) has its premiereOn October 5, 1762, Christoph Willibald Gluck’s Orpheus and Eurydice premiered at Vienna’s Burgtheater, kickstarting the beginning of the opera

Opera Box - Greek National Opera

There’s something for everyone, regardless of your budget.If you’re worried about fitting all those souvenirs in your luggage, don’t stress. They offer worldwide shipping! This means you can have your goodies delivered right to your door, no matter where you are. It’s a super convenient way to keep memories of your trip alive or share them with loved ones.Rating: 5 (3 reviews)Location: Shop 11-12 12/24 Playfair St, The Rocks NSW 2000, AustraliaContact: +61 400 944 336Website: Visit WebsiteRead Also: The Rocks Murales5. Sydney Opera House Gift ShopsSydney Opera House Gift ShopsWhen you’re visiting Sydney, you can’t miss out on the Sydney Opera House Gift Shops. Located at Bennelong Point, these shops offer a wide range of unique items that reflect the cultural essence of Australia.The shops feature everything from books and home goods to pens and souvenirs. They even have exclusive merchandise celebrating the 50th anniversary of this iconic landmark. It’s a great place to find something special to remember your trip.One standout collection is from SpudNic Designs. These pieces highlight the vibrant beauty of Australia’s native flora and are made to be worn and treasured. You can pick up these and other items either in-store or through their click & collect service.They even offer worldwide shipping, so you don’t have to worry about fitting everything in your suitcase. Plus, it all starts with browsing their selection online, making your shopping experience smoother and more convenient.Rating: 4.5 (over 100 reviews)Location: Sydney Opera House Gift ShopsContact: +61 2 9250 7543Website: Visit Website6. Beaut Gift Co | Sydney Gift Boxes | Free deliveryBeaut Gift CoBeaut Gift Co. is a real gem in Sydney. They specialize in creating gift boxes with unique Aussie products. What’s cool? They support Australian businesses, so you’re not just buying a gift; you’re helping local makers too. Plus, they offer free delivery, making it super convenient for you.I’ve always struggled finding that perfect gift. Beaut Gift Co. makes it easy. Their process is simple: just choose your favorite items, customize a gift card, and they handle the rest. The unboxing experience is a delight; they really take their time to make sure everything is just right.Their customer service is top-notch, which is so important. Reading through some reviews, it’s clear people love their products. Folks often mention the quality and care that goes into each box. If you’re stuck for gift ideas, this place might have just what. Opera on CD; The Best of Opera; Classical Music CD Box Set; Music Boxed Sets; DVDs Operas; Box Set CD; Opera Recordings; Opera 2025; Box CD Sets; Opera Book; Opera Greatest Hits

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Burnout426 Volunteer @gjvadr last edited by @gjvadr said in Opera gx installer closes when trying to install:I don't know how to do thatIn Windows, goto "Settings -> Accounts -> Other users" and click "Add account".In the Microsoft "How will this person sign in?" prompt, click "I don't have this person's sign-in information". Then, at the Microsoft Create account prompt, click "add a user without a Microsoft account".Then, type testaccount for the username (don't set a password) and click next. That will create the account.Then, click the start button, click your username, click "sign out" and then sign into the testaccount, give it a sec to set up things, launch Edge, goto scroll down to the Opera GX section, expand it and click the link to the 64-bit offline package.Once the installer is downloaded, launch it, click "options", make sure "install for" is set to "current user", make sure "install path" is set to "C:\Users\testaccount\AppData\Local\Programs\Opera GX", uncheck all the option boxes and install.Does Opera install then?If so, you at least know that it's just something messed up with your main account.You can then sign out of the test account, sign back in to your main account, go back to "Settings -> Accounts -> Other users" and remove that test account.

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Browser has a different key for using the browser style; browser_style for Firefox and chrome_style for Google Chrome.Firefox:"options_ui": { [...], "browser_style": true}Google Chrome:"options_ui": { [...], "chrome_style": true}Another important difference that I noticed was regarding a property called Add-on ID. Firefox asks for a manually defined add-on ID in the manifest.json file, otherwise the storage API won't work. See bugzilla.In this case, it's necessary to define it as shown below:"browser_specific_settings": { "gecko": { "id": "[email protected]" }}More about the implications of the Add-on ID are discussed here.One more relevant thing that I noticed was about javascript popup boxes, such as alerts. When using Google Chrome and its based web browsers, it's possible to display popup boxes directly from the background script and it will be displayed in a kind-of different window and this happens to not be the case in Firefox. When trying to display alerts from a background script, the browser will notify that those are not supported by showing an warning, like this one below:alert() is not supported in background windows; please use console.log instead.;Known IssuesThere might be an issue that prevents this extension from working when currently on a search page, such as google search. As pointed out by this issue, go to the extension's preferences menu and check the Allow access to search page results option.InstallationFirefox: REMOVEDGoogle Chrome: REMOVEDOpera: Follow the instructions below.Install Chrome extension on OperaInstall the Install Chrome Extensions addon for Opera. (link)Go to the Chrome Web Store page;Hit the button Add to Opera;Click OK on the dialogue that will show up;Click the Install button.Manual installationSee the specifications regarding unpacked extensions for your particular browser.Similar repositoriessavetabs: A web browser extension that allows the user to save every tab's url to a file. Opera on CD; The Best of Opera; Classical Music CD Box Set; Music Boxed Sets; DVDs Operas; Box Set CD; Opera Recordings; Opera 2025; Box CD Sets; Opera Book; Opera Greatest Hits Opera box synonyms, Opera box pronunciation, Opera box translation, English dictionary definition of Opera box. a partially inclosed portion of the auditorium of an opera house for the use of a small private party.

Opera Out of The Box

BackUp | Reset link.Take the opportunity to start a Backup plan, even create a Template Profile.SyncBack | Synkron helps.Windows 7 (x64)Opera Test profile | Opera Back up | Reset "You cannot know the meaning of your life until you are connected to the power that created you". · Shri Mataji Nirmala Devi blackbird71 @Guest last edited by blackbird71 @elpocito said in Run Out Of Memory:No extensions. I opened the Opera Task Manager and there's about 700Mb of activity there with just Yahoo Mail open in one tab,...Hmm. 700 MB seems quite high for having only Yahoo Mail open (unless you have massive amounts of eMails visible). On my system, a Yahoo Mail logged-in tab process itself runs around only 100 MB, with the whole browser only using a little over 200 MB. For some reason, your Opera installation seems to be running very high on memory usage.You might first try clearing Opera's cache and history elements from within Opera via: Settings > Advanced > Privacy and Security > Clear browsing data > Time range: all time, then check all boxes shown except Passwords and Autofill data > Clear data. That may reduce Opera's memory consumption significantly if there is something massive stored in cache or history.If that approach fails to reduce memory consumption, you could then try "resetting" Opera's profile by opening Opera to locate and copy down the file/folder path of your profile folder (Opera icon > Help > About Opera > Paths: Profile:, then turn off Opera's sync (if it's on). Next, with Opera turned off, use your Windows file explorer to navigate to that profile folder and rename it to something else (eg: rename Opera Stable to XXXOpera Stable). Then once more open Opera (which will automatically recreate the profile folder and files with its original name but default-condition files and settings); then see if Opera's memory consumption is signficantly reduced. Note: the newly-created profile will not have your customized settings, bookmarks, etc., but it will eliminate any corrupted files within the profile as a test case; you can always regain your original profile by turning Opera off, deleting the newly-created profile folder name and re-renaming the XXX... folder back to its original name. If the original profile has been corrupted, one can try copying specific customization files (bookmarks, preferences, etc) one-at-a-time from the original renamed profile folder to the newly-created one to retrieve as much of your original settings, etc as possible (always keeping Opera turned off when copying profile folders/files). A Former User @Guest last edited by @elpocito blackbird71 is spot on !.. i doubt you've ever done this in the past.. but are ya run 'n win 7 w/o a pagefile.. *just curious.. burnout426 Volunteer last edited by Opera's battery saver feature is known to cause low memory/out of memory issues. Make sure it's turned off. A Former User @blackbird71 last edited by @blackbird71The path for the profile is c:\Users\netbook\AppData\Roaming\Opera Software\Opera Stable. I tried file explorer but it couldn't find it. I then tried

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Founding the Metropolitan OperaSourceAn Age of Opulence. The story of the Metropolitan Opera House in New York City unfolds amid privilege and desire. During the late nineteenth century a coterie of moneyed families, their fortunes swelled by post-Civil War speculation, set new standards for conspicuous consumption. Yet despite their cash and their flash, the nouveaux riches of New York remained excluded from the inner circles of the old Knickerbocker gentry. In the 1870s and early 1880s New York boasted an adequate opera house: the Academy of Music, founded in 1849 and located downtown on Fourteenth Street. Edith Wharton (1862-1937), novelist of New York manners, opened her Age of Innocence (1920) at the academy: “the world of fashion was still content to reassemble every winter in the shabby red and gold boxes of the sociable old Academy. Conservatives cherished it for being small and inconvenient, and thus keeping out the ‘new people’ whom New York was beginning to dread and yet be drawn to.” The old families controlled the “sociable old Academy”; the “new people” angled for acceptance. One evening in 1880 the balance of social power shifted. German soprano Lilli Lehmann (1848-1929) recalled the fateful moment in her memoir, My Path Through Life (1914): “As one evening [at the Academy] one of the millionairesses did not receive the box in which she intended to shine because another woman had anticipated her, the husband of the former took prompt action and caused the Metropolitan Opera House to rise.”Under Construction. The snubbing of the “millionairess”—a Vanderbilt, as fate would have it—inflamed the “new money” set. These “upstarts” pooled their resources and designated a site for a new opera house on Broadway between Thirty-ninth and Fortieth Streets. Construction began in 1881 and proceeded slightly behind schedule. By spring 1883 the building was finished, and the choicest boxes were apportioned among the shareholders. On 22 October the Metropolitan staged its first opera: Charles Gounod’s Faust (1859), featuring the soprano Christine Nilsson in the role of Margherita.Rank and Ruckus. Architect Josiah Cleveland Cady (1837-1919) had designed several other New York landmarks, among them the Museum of Naturai History. The Met, however, was Cady’s only theater, and connoisseurs complained about poor acoustics and a small backstage area. More problematic than the architectural design, however, was the behavior of society patrons. For many people, the ritual of operagoing had next to nothing to do with music. With three full tiers of private boxes, the Met more than doubled the luxury capacity of the old Academy. All told, boxes accounted for nearly 25 percent of the three-thousand-odd seats at the Met. For many who owned or rented “box” seats, a night at the opera meant a chance to display one’s wardrobe and chat with one’s friends. Upper-class patrons ignored a notice posted in January 1891 by the Met’s board of directors: “Many complaints having been made to the directors of the Opera House of the annoyance produced by the talking in the boxes during the performance, the Board

2025-04-10
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€12 Tickets for this event are available starting May 1, 2018 at www.ticketservices.gr and at the Apollo Theater - +30 22810 85192 Wednesday, July 25, 2018 — Apollo Theater, 8:30pm Greek Opera Studio "Gala" Featuring Greek Opera Studio Participants in opera duets and scenes MARIOS KAZAS, Pianist (Greece) SPYROS SOULADAKIS, Pianist (Greece) DETLEF SÖLTER, KRISTINA FRANZ, EILANA LAPPALAINEN, Stage Directors EILANA LAPPALAINEN, General & Artistic Director of Greek Opera Studio Grand Tier, lower and upper boxes: €18 Lower and upper balconies: €12 Tickets for this event are available starting May 1, 2018 at www.ticketservices.gr and at the Apollo Theater - +30 22810 85192 Thursday, July 26, 2018 — Apollo Theater, 8:30pm The Stratos Vougas Jazz Quintet "Pure Jazz from Athens" STRATOS VOUGAS - Saxophone DIMITRIS PAPADOPOULOS - Trumpet GIOTIS SAMARAS - Guitar KOSTAS KONSTANTINOU - Bass JOHN PAPADOULIS – Drums Grand Tier, lower and upper boxes: €24 Lower and upper balconies: €16 Tickets for this event are available starting May 1, 2018 at www.ticketservices.gr and at the Apollo Theater - +30 22810 85192 Friday, July 27, 2018 — Apollo Theater, 8:30pm Theodorakis ELECTRA (Dance Performance) (World Premiere) RENATO ZANELLA, Choreographer (Italy) ASTERIS KUTULAS, Co-Director Cast: ELECTRA – Sofia Pintzou, (Greece) CLYTEMNESTRA – Alexandra Gravilescu, (Romania) CHRYSOTHEMIS – Tamara Alves Dornelas Souza, (Brazil) ORESTES – Eltion Merja, (Albania) AIGISTHOS – Valentin Stoica, (Romania) PYLADES – Florient Cador, (France) In cooperation with Europaballett Grand Tier, lower and upper boxes: €30 Lower and upper balconies: €20 Tickets for this event are available starting May 1, 2018 at www.ticketservices.gr and at the Apollo Theater - +30 22810 85192 Saturday, July 28, 2018 — Apollo Theater, 8:30pm Theodorakis ELECTRA (Dance Performance) RENATO ZANELLA, Choreographer (Italy) ASTERIS KUTULAS, Co-Director Cast: ELECTRA – Sofia Pintzou, (Greece) CLYTEMNESTRA – Alexandra Gravilescu, (Romania) CHRYSOTHEMIS – Tamara Alves Dornelas Souza, (Brazil) ORESTES – Eltion Merja, (Albania) AIGISTHOS – Valentin Stoica, (Romania) PYLADES – Florient Cador, (France) In cooperation with Europaballett Grand Tier, lower and upper boxes: €30 Lower and upper balconies: €20 Tickets for this event are available starting May 1, 2018 at www.ticketservices.gr and at the Apollo Theater - +30 22810 85192 Sunday, July 29, 2018 — Apollo Theater, 8:30pm Theodorakis ELECTRA (Dance Performance) RENATO ZANELLA, Choreographer (Italy) ASTERIS KUTULAS, Co-Director Cast: ELECTRA – Sofia Pintzou, (Greece) CLYTEMNESTRA – Alexandra Gravilescu, (Romania) CHRYSOTHEMIS – Tamara Alves Dornelas Souza, (Brazil) ORESTES – Eltion Merja, (Albania) AIGISTHOS – Valentin Stoica, (Romania) PYLADES – Florient Cador, (France) In cooperation with Europaballett Grand Tier, lower and upper boxes: €30 Lower and upper balconies: €20 Tickets for this event are available starting May 1, 2018 at www.ticketservices.gr and at the Apollo Theater - +30 22810 85192 Monday, July 23, 2018 — Apollo Theater, 8:30pm Pan-European Philharmonia (Warsaw) Athens Concert Hall (Megaron Musikis) Athens, Greece “Great Opera Moments from Great Operas” Music by Wagner, Mozart, Giordano, Beethoven, Puccini, Verdi, Mascagni World-class soloists and choruses from the USA and France Choirs from Greece, France and US. PETER TIBORIS, Conductor DAVID R. THYE, Chorus Master Arias, Duets,

2025-04-19
User7546

Template:Infobox SoftwareOpera is a web browser and Internet suite developed by the Opera Software company. Opera handles common Internet-related tasks such as displaying web sites, sending and receiving e-mail messages, managing contacts, IRC online chatting, downloading files via BitTorrent, and reading web feeds. Opera is offered free of charge for personal computers and mobile phones, but for other devices it must be paid for.Features of Opera include high performance, tabbed browsing, page zooming, mouse gestures, and an integrated download manager. Its security features include built-in phishing and malware protection, strong encryption when browsing secure web sites, and the ability to easily delete private data such as cookies and browsing history by simply clicking a button.Opera runs on a variety of personal computer operating systems, including Microsoft Windows, Mac OS X, Linux, FreeBSD, and Solaris.[1] But even though evaluations of Opera have been largely positive, Opera has captured only a fraction of the worldwide personal computer browser market. It is currently the fourth most widely used web browser for personal computers, behind Internet Explorer, Firefox, and Safari.Opera has a stronger market share, however, on mobile devices such as mobile phones, smartphones, and personal digital assistants. Editions of Opera are available for devices using the Symbian and Windows Mobile operating systems, as well as Java ME-enabled devices. In fact, approximately 40 million mobile phones have shipped with Opera pre-installed. Furthermore, Opera is the only web browser available for the Nintendo DS and Wii gaming systems. Some television set-top boxes use Opera as

2025-04-07
User1320

The Acid2 test.[74]Market adoption[]Statistics reference: Usage share of web browsersAs of February 2008, usage data gives Opera's overall global share of the browser market as being about 1%[76] although Opera's usage share is about 16-19% in Russia[77][78][79][80] and Ukraine,[81] and 5–6% in Poland, Latvia, Lithuania, and the Czech Republic.[82]Since its first release in 1996, the browser has had limited success on personal computers. It is currently the fourth most widely used web browser for personal computers, behind Internet Explorer, Firefox, and Safari. Opera has had more success in the area of mobile browsing, with product releases for a variety of platforms.[83] Approximately 40 million mobile phones have shipped with a copy of Opera pre-installed.[84]In addition to mobile phones, smartphones, and personal digital assistants, Opera has found a place with Nintendo's Wii and DS gaming systems. It is used on some television set-top boxes as well.[85] And in 2005, Adobe opted to integrate Opera's layout engine, Presto, into its Adobe Creative Suite applications. Opera technology is now found in Adobe GoLive, Adobe Photoshop, Adobe Dreamweaver, and other components of the Adobe Creative Suite.[86][87]Critical reception[]Template:SeealsoCritical reception of Opera has been largely positive,[88][89][90] although it has been criticized for website compatibility issues,[91][92] partly because many web sites do not adhere to web standards as diligently as Opera.[93][94][95] Because of this issue, Opera has since version 8.01 included workarounds to help certain popular but problematic web sites display properly.[96][97]Notwithstanding other criticism, when Nintendo chose in 2006 to adopt Opera as the web browser for

2025-03-30

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